MV影像中，僧人們以身體履行著信仰的三個行為：雕刻（創造性）用粗獷的手將岩石擊打成象徵，賦予其意義。槌牆（破壞性），槌倒石牆、推翻信仰，回歸為無，而後生；而拓本（複製性），是對神學的記載，在裂紋痕跡上拍打墨色，保存、傳遞，後世詠唱新的神蹟，然後再循環，以重複、機械式的敲擊動作呈現血肉之軀有如輪迴般所構成的神性。
In the MV, the monks enact three faith-driven gestures with their bodies.
Carving (creativity): with rough, forceful hands, they strike the rocks into symbols and give them meaning.
Hammering the wall (destruction): they break down stone walls, overturn beliefs, return everything to nothingness, and from that, allow rebirth.
Rubbing (replication): they record theology by pressing ink onto cracks and textures, preserving and transmitting it so that future generations may chant new miracles.
These repetitive, mechanical striking movements express a kind of divinity formed through the cyclical, reincarnation-like nature of the human body.
Production House @frequent_headache
Director @alx.112 @autotuna__
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Director of Photography @en914_ @alx.112 @autotuna__
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